THE BRAINS ARE HERE
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David, played by Haley Joel Osment, is programmed to love a woman he calls
mother, and he does, unconditionally. His level of love, however, is never
fully reciprocated, especially when his mother’s “real” son is brought back to
life.
This has
consequences for David, both emotionally and physically, as he struggles simply
to be a member of the family. Not long thereafter, David finds himself lost and
alone in a world where robots are sent to robot-dumps, put in destructive
circus-like shows for jeering human audiences and must evade bounty hunters
that want to use them for illicit means. Meanwhile, David’s sole goal is to
belong.
Technological
advances are often met with a mix of eagerness and trepidation. Based on the
1969 short story by Brian Aldiss, "Supertoys Last All Summer Long",
this 2001 film captures this excitement and especially this fear.
The lines
drawn to justify differing treatment between humans and robots blur when the
latter are given a consciousness. This raises ethical questions about a world
with artificial intelligence (AI) and the film particularly exaggerates the
more negative potential aspects of this dual society.
The
questions are real. Do robots as conscious beings deserve the same respect and
treatment as humans? Do they feel like humans do? If they get angry, does their
inability to feel ‘true pain’ make them more of a danger to humans? Because of
this, will they end up treated as a sub-human, as the film suggests? Perhaps
the ultimate fear-based questioning is, could AI outperform humans and
ultimately render us inconsequential?
Now 49 years
after Aldiss’ story and 17 years after this film, the realities of AI are not
as intimidating. Current applications of AI and machine learning techniques
include real-time, crowd-sourced traffic updates, email filters to distinguish
between spam, promos and important emails, ride-shares, plagiarism detectors
(to professors’ delight), game players (Go, chess, etc.), article writers,
buildings that self-regulate energy utilization, and even self-driving cars.
Although AI
occasionally outperforms humans (as in AlphaGo) AI and machine learning experts
take heed of the ethical implications of their work from the very early stages
of AI design, and the majority of AI is designed to enhance life for humans.
But do not take my word for it.
This film
will be shown as part of the 2018 Flagstaff Festival of Science: Accelerating
into the Future. In conjunction with the film, the Festival will host two panel
discussions with local AI and machine learning experts to help dissect these
questions.
The first
panel, comprised of experts from NAU’s Philosophy in the Public Interest
Department, is on Saturday, Sept. 22 from 3-5 p.m. at the Museum of Northern
Arizona and is intended to focus on the ethical questions raised by automation.
The second
panel, comprised of experts from the NAU School of Informatics Computing and
Cyber Systems and the U.S. Geological Survey Astrogeology Science Center, will
analyze how Hollywood’s depictions of AI, including Spielberg’s A.I., compare
to the realities of modern AI applications. This panel is Sunday, Sept. 30 from
5-7 p.m. at the USGS Flagstaff Science Campus.
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